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Christmas at the Guinness Storehouse: art, festive treats and mulled Guinness

Christmas at the Guinness Storehouse: art, festive treats and mulled Guinness

Image: Christmas is Guinness Time (Guinness)
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The Home of Guinness will be transforming for this year’s festive season, promising visitors a warm welcome as they unveil a stunning Christmas experience, right at the home of Ireland’s most iconic beer.

From the 23rd of November 2022 until the 6th of January 2023, the Home of Guinness will present a magical event for this Christmas, “Welcome Home“, an exhibition to celebrate friends and family from across the world, to come together and revel in the chilly winter of Ireland’s capital.

The Home of Guinness has a special partnership this year with GRIF, a New York-based Irish visual artist, who will present a large-scale digital Christmas tree installation (up to 16 feet!) and surge film to celebrate coming home for Christmas.

If you are looking for a festive activity that is unique and cultural, “Welcome Home” is the place to be during the Christmas period. Visitors can enjoy the 7 floors of the Guinness experience (one of the most popular attractions in Dublin), taste Ireland’s most iconic beer and see an exciting arrival of live pop-up entertainment, mulled Guinness and festive treats. As the Guinness website states, you can “take in the twinkling lights of St. James’s Gate and the glow of Dublin City from the panoramic Gravity bar“.


GRIF (Shane Griffin) is He was named winner of PRINT magazine’s New Visual Artist award in 2015, and ADC Young Guns in 2012. 

“Welcome Home” at the Guinness Storehouse is on from the 23rd of November 2022 until the 6th of January 2023. Tickets start from €29. Book early to avoid disappointment at: www.guinness-storehouse.com

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‘Dublin Winter Lights’ switched on for the festive season

‘Dublin Winter Lights’ switched on for the festive season




Image: Lord Mayor of Dublin Caroline Conroy at the launch of Dublin Winter Lights at the Millennium Bridge. Pic: Conor McCabe Photography

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Dublin City Council is pleased to announce that the ‘Dublin Winter Lights’ were formally switched on last night (Tuesday, 15th of November) and will remain to dazzle our city until the 1st of January 2023.

There will be six locations across Dublin city that will be transformed with vibrant projections and lighting displays, including the Samuel Beckett Bridge, Merrion Square Park, and the for the first time ever, the Spire and a Viking Boat being lit up on the Liffey.

All locations will be part of a walking trail map, where people can find a starting point to see all the installations and provides a unique and interactive adventure for families! Alongside this, there is a children’s story book about the adventures of Rua, the red squirrel – a QR code is located at each location to let you read and listen to the next chapter.

This year, Dublin winter lights is keeping sustainability in mind, with all installations are powered by using hydrotreated vegetable oil (HVO), an alternative to fossil fuel. Dublin City Council states “The power used to light The Spire is comparable to that used in a domestic iron (1800w)” and “A toaster (900w) uses the same power as we’re using on the Millennium Bridge, while Smithfield Sq will be illuminated using the same amount of power as a dishwasher (3000w).”

The Lord Mayor of Dublin, Caroline Conroy said “Christmas really is a magical time for everyone and what better way to get you into the festive spirit than to visit this year’s Dublin Winter Lights,” Conroy also mentions “Whether you’re five or 85, I guarantee you’ll enjoy it. So come on into town, visit the lights and feel the magic this Christmas.” 

 




Dublin Winter Lights. Credit: Jo Travers

All 16 locations are:

  • Windmill Digital Hub
  • Bridgefoot Street Park
  • Smithfield Square
  • Wolfe Tone Square
  • Millenium Bridge
  • Liffey Viking Boat
  • Barnardo Square (Children’s Art Competition)
  • The Spire (from Nov 19)
  • O’Connell Street Monuments
  • Custom House
  • Georges Dock
  • Triumphal Arch
  • Samuel Beckett Bridge
  • Seán O’Casey Bridge
  • Mansion House (from the 3rd of December)
  • and Merrion Square Park (from the 1st of December)




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Arthouse 2022 in aid of LGBT Community Centre




Arthouse 2022 in aid of LGBT Community Centre

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Arthouse 2022 returns with a stellar collection of works by Irish artists to raise funds for Outhouse

Outhouse, Ireland’s LGBT Community Centre, has partnered once again with a phenomenal group of artists who are donating their works of art to support the centre this year. This year’s artists include Eamon Colman, Aches, Lola Donoghue, Brian Teeling, Eva O’Donovan, Martin McCann, Leah Hewson, Kieran Crowley, Aches, Nick Munier (TV chef turned artist), Megan Burns, Colin Martin RHA, Tom Climent, Derrick Smith, Leah Beggs, Maurice Reidy, Eva McParland, Zsolt Basti, Solus Art, Francis Fay, Carol Hodder, John Fitzsimons, Niamh Flanagan, Blaise Smith RHA, Neil Dunne, Hazel Coonagh, Conor Horgan and so many more.

Featuring paintings, print, textiles, photography and sculpture from genres such as street, abstract and figurative art, Arthouse 2022 has over 300 artworks by 180 artists. The auction is a chance to own unique pieces of art with something for all tastes and pockets and to grace your walls in time for the festive season.

For the last two years, Outhouse has held its now signature fundraising event Arthouse and successfully raised €110,000 over the two years which was instrumental in reopening the centre and keeping it open after the pandemic. Outhouse continues to offer all contributing artists the opportunity to to avail of 50% of the price achieved for their artwork.

Arthouse is now an essential fundraising event that guarantees Outhouse’s hardworking team can reach and support the entire LGBT+ community. The future looks bright with a new management team led by new CEO, Oisín O’Reilly, who is embarking on a journey to create a new strategic plan for the centre’s future and define a new level of ambition for the centre and the LGBT+ community.

Oisín O’Reilly (he/him), CEO of Outhouse LGBT+ Community Resource Centre said: “Outhouse is still recovering from the impact of the pandemic, and Arthouse is vital to ensure that safe spaces for the LGBT+ community exist. Safe spaces are needed now more than ever due to sustained and extreme violence and hate against the LGBT+ community online and offline.

Your generous donations and fundraising efforts will ensure that every LGBT+ person has a safe space to be themselves, make friends, participate in their community, and thrive.

Moreover, the importance of a safe and warm space amid the fear of rising fuel and electricity costs is foremost in my mind, especially for the most vulnerable in our community. Your generosity will mean those who need a safe, warm, and welcoming place this winter will find an open door, cosy seat, and a cuppa among friends. Thank you for your continued generosity and support.”

Arthouse is a timed online auction of contemporary art, and it will be hosted on Outhouse’s website and on both Apple and android apps. Arthouse is now live for advance bidding with final bids closing in real time and in Lot order at 3:00p.m. GMT on Saturday and Sunday, November 19th and November 20th, 2022. You can bid right up until the final lot closes. The auction site is now live and open for bids at https://auction.outhouse.ie/ and also downloadable on an iOS and android app.

 

More detailed on Arthouse can be found at https://www.outhouse.ie/arthouse/

 





In 1997 Outhouse first opened its doors on South William Street,  with a subsequent move to its current location on 105 Capel Street. 25 years later Outhouse continues to be the only dedicated full time LGBT+ Community Resource Centre in Ireland. Over 50,000 people use the centre each year, demonstrating how vital it is to the LGBT+ community by providing a ‘safe space’ for people to meet, build friendships, and develop support networks and interest groups.




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From Dracula to Aurora: This year’s Bram Stoker Festival is set to amaze




From Dracula to Aurora: This year’s Bram Stoker Festival is set to amaze

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Maria Schweppe and Tom Lawlor, co-director’s of the Bram Stoker Festival, is looking forward to continue the celebration of one of Ireland’s acclaimed writers, Bram Stoker.

When you mention Dracula, what comes to mind? Perhaps Transylvanian castles, shape shifting bats and fang baring vampires – but one Dublin civil servant does not. Bram Stoker, the Irish author of Dracula, has been celebrated for the last ten years in the lead up to Hallowe’en as part of the Bram Stoker Festival here in Dublin.

“Stoker’s legacy has permeated pop-culture globally for more than a century.”

The Bram Stoker Festival is a way of celebrating Stoker’s most famous work and allows Dublin to recognise the infamous creation of one of its historic citizens. Maria Schweppe, one of the co-directors of the Bram Stoker Festival tells us why she thinks it’s important for Dublin to celebrate his legacy. “Stoker’s legacy has permeated pop-culture globally for more than a century. His creation has lived on and been adapted countless times across every imaginable genre. We think it’s important to recognise this legacy in the city which shaped the author; his home town, which has proven its affection for Stoker year on year at the festival!” 

As an island with a rich literary history, lesser known writers can be overlooked, but Tom Lawlor, also the festival’s co-director, mentions the resurgence of recognition for Stoker’s work that the festival has helped to cultivate. “I think for a time Stoker was lost among the most famous of Dublin’s literary heroes but the festival has helped to reclaim him as an Irish, and particularly a Dublin, writer. His legacy is an interesting one and I think one which is only growing. From his signature in the visitor book in Marsh’s Library to the ever-popular debates about the influence the Irish language and the famine had on his work, we’re only properly starting to cement Stoker’s place in Dublin’s literary legacy.

The figure of Dracula does not fail to capture audiences’ imaginations and this year the festival has a number of events running this long weekend, from Friday 29th until Monday 31st, which will delight and terrify in equal measure. A constant for the last few years has been Stokerland, which takes place under the shadow of St.Patrick Cathedral’s Gothic Spire. “What started off as a small, one-afternoon event for 1000 people in 2015 has grown into a three day event in St. Patrick’s Park which welcomes more than 20,000 people every year! Over time, it’s become important to families because it’s free, high-quality, considered entertainment at the end of the mid-term!” Maria is looking forward to Dreamgun Des Dracula, which takes place on Hallowe’en Night in the O’Reilly Theatre. “This commission is something I’ve wanted to see happen for years and it’s finally happening! I can almost guarantee that this will be the gassest thing taking place this Hallowe’en night!

The festival’s stand out event is expected to be BOREALIS, and Tom is looking forward to it; “I can’t wait to get thousands of Dubliners gathered once again for a spectacle like this! It has wowed audiences worldwide and I know Dubliners will be equally impressed. Borealis is an internationally renowned light installation by artist Dan Acher that is inspired by the Northern and Southern Lights. Acher, considered an artivist, is passionate about creating art that raises awareness around social issues and impacts social change. “Art and activism have long intermingled to tackle society’s big issues but more recently the term artivism has gained traction as the catchword for a form of art specifically produced to generate social change. For me it’s about using accessible and universal art to a) bridge divides, and b) make people aware of some of the key issues of our time: climate breakdown, social isolation, mental health and wellbeing. 

Acher’s work is focused in urban centres and intends to create a sense of community and connection in societies which may have become disconnected, despite city dwellers living in such close proximity to one another. The inspiration for his work comes from the ordinary. “I’m inspired by both the small, everyday moments, and the more extra-ordinary ones, that make us feel like we belong, like we’re part of something bigger than our individual self. I’m interested in what triggers these feelings and in trying to recreate these triggers and emotions at scale for thousands of people.” These emotions act as a vehicle for connection and hopefully change as the climate crisis is something that is clearly an underlying theme in Acher’s work, “as world citizens on a shared planet we have to look out for our home and for each other. My installations aim to reflect this in an aesthetic and immersive way.

BOREALIS is sure to create a connection amongst its viewers, as the recreation of nature’s magnificent light display intends to remind us of our human insignificance and the immateriality of our differences when confronted with the immersive experience that emulates one of the earth’s greatest natural phenomena. Acher reflects on what he hopes BOREALIS will bring to Dublin: “Societies across the ages have attributed many legends to the Northern and Southern Lights; human beings have long been brought together in awe before their mysterious beauty. BOREALIS touches on this ancestral relationship with nature – and the fact that today this relationship is fraught: climate is rapidly changing due to excessive human activity, and geoengineering (the deliberate large-scale intervention in the Earth’s natural systems to counteract climate change) is being discussed as a solution to global warming. We have to think hard about the consequences of such an endeavour and act urgently for our collective future on this planet.

There is no doubt that BOREALIS will bring something special to this year’s Bram Stoker Festival and it is also significant that audiences are able to attend events across the city. Both Maria and Tom are most excited about this: “We really missed it in 2020, when the festival was presented but everything took place in the audience’s home. The magic of producing festivals is only really complete when you’re live, with an audience, at an entirely new event, hearing the audience’s excitement and feeling that electric buzz in the air!

The Bram Stoker Festival is taking place this weekend from Friday 29th to Sunday 31st. 

For more information on the festival check out the BRam Stoker Festival’s Instagram and Facebook:

@bramstokerdub on instagram & twitter 

fb.com/bramstokerdublin on Facebook

For more information on Dan Acher and his artwork, as well as his initiative Happy City Lab, check out dan-acher.com and his social media. 

Instagram: https://www.instagram.com/dan_acher/

Facebook: https://www.facebook.com/dan.acher

Twitter: https://twitter.com/Dan_Acher

LinkedIn: https://www.linkedin.com/in/danacher/

 







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CALLOUT:  Artists needed to help One in Four




CALLOUT:  Artists needed to help One in Four

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One in Four, a charity providing essential services for survivors of sexual abuse, are calling on all artists to get involved in a Secret Art Sale taking place in early December this year.

One in Four is now calling on artists to get involved and submit a piece of work to help them reach their goal! To raise vital funds for the charity’s services they plan to create an on-line arts sale with a target over 200 artists participating. The artworks will be exhibited anonymously, and each will be sold to the public for €50, with the artist’s name only revealed after the artwork is purchased.

The public will get the chance to buy work from yourselves: international artists, celebrities, and emerging and established artists, whilst raising money to support the work of One in Four.

Artworks must be 2-dimensional and A5 in size (14 x 21 cm’s). There is no set theme, and all mediums will be accepted. Each artwork submitted should have your name, title of the work and any signatures on the reverse to create a ‘blind sale’ of the pictures sold.

Deadline for receipt of physical artworks is Friday 20th November 2022 at 12 noon and can be posted to our address or we can arrange a local drop-off point.

To register your interest please email John on[email protected]or call: (00353) 087 174 8198.

By submitting original artworks, you will help One in Four provide vital services for survivors of sexual abuse. To find out more information about One in Four see www.oneinfour.ie

SUBMIT NOW:

https://www.oneinfour.ie/event/calling-all-artists-event

 





Since 2003, One in Four has been a listening ear. They have been a support, a refuge, a lifeline. We provide professional counselling to adult survivors of childhood sexual abuse. Their vision is an Irish society where children are safe from the threat of sexual harm. Every single day they work towards this vision. To find out more information about One in Four see www.oneinfour.ie




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Book Review: Keith Haring – The Story of His Life by Paolo Parisi




Book Review: Keith Haring – The Story of His Life by Paolo Parisi

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Celebrated artist, activist and humanitarian, Keith Haring is the perfect subject for this graphic novel. Focused on three colors, this comic-book tells the fascinating life story of a man who lived his truth on all kinds of canvases.

Keith Haring: The Story of his Life by Paulo Parisi. Prestel, 2022 [9783791388434]
“If commercialization is putting my art on a shirt so that a kid who can’t afford a $30,000 painting can buy one, then I’m all for it.”
 

This attractive graphic biography chronicles the life of Keith Haring. Paulo Parisi covers everything, from his childhood in Kutztown, Philadelphia, all the way up to his tragic passing in the AIDS pandemic. The ambition of this timeframe has pros and cons. For a complete newcomer to Haring’s work, this is an informative overview of his life’s story. There are plenty of fun moments enhanced by the visual medium, from his gallery shows to Larry Levan’s thumping DJ sets in Paradise Garage. Conversely, the decision to include everything means that certain parts have a cursory feel. Topics like Haring’s ascendancy through New York graffiti, the Pop Shop he opened in New York and Tokyo, or his political activism could each fill a standalone book. Skimming through them all comes at the expense of critical excavations. That being said, Prestel have included a thorough bibliography at the back, for readers wishing to learn more. 

 
Image: preview of “The Story of His Life” by Paolo Parisi
The book features a stripped-down colour palette of yellows, blues and pinks. This neat and simplified art-style works well here, feeling faithful to the experimental Pop Art movement it represents. Keith Haring’s philosophy was making art accessible to the masses. He used graffiti in the subways to reach thousands of commuters every day, and he spearheaded merchandise and fashion to take art out of galleries and into the homes of everyday people. He always questioned the demarcation between “high art” and “low art.” Haring’s approach is still felt today, with artists like Banksy making a body of work with spraypaints. The Pop Shop preceded an ongoing ethical debate of turning art into commercial products. Parisi has slyly incorporated these concepts into his biography, telling a visual story that is fun and welcoming to all. Comics have often been categorized as “low art.” This makes them a terrific medium to celebrate the low-art/high-art playfulness of Keith Haring’s work.
 

“Art is nothing if you don’t reach every segment of the people.”

 
This is a well-researched book, produced with a Pop-Art aesthetic that suits the subject matter. It honours Haring’s style and philosophy, often quoting him directly. The end result is a light and enjoyable book suitable for any art lover’s shelf.







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The Boy Who Never Was: Reflecting on Queer Erasure through an Imaginative and Self Aware Adaptation of Icelandic Literarture




The Boy Who Never Was: Reflecting on Queer Erasure through an Imaginative and Self Aware Adaptation of Icelandic Literarture

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Feidlim Cannon and Gary Keegan, of Brokentalkers, first approached the author, Sjón, in 2018 to discuss the possibility of adapting his novel Moonstone: The Boy Who Never Was back in 2018. The Boy Who Never Was was presented at the Samuel Beckett Theatre until 16th October 2022 as part of the Dublin Theatre Festival. 

There was no way to anticipate the events of the last three years but a play adapted from a novel that is set in 1918 Iceland against the backdrop of a volcanic eruption, a European war, a global pandemic and a fuel shortage, has a particular relatability for contemporary audiences. The Boy Who Never Was tells the story of Máni/Peter, played by Konstantin Stanchev, a gay teenager who finds solace and financial sustenance in the back streets of Reykjavík. Also a cinephile, Máni shares his time between the town’s two cinema houses and finds escape and enchantment in the stories played out on screen.

The play adopts a circular narrative, it begins at the end with the entrance of the Poole Group; a trio of experimentalist creatives whose class privilege allows them to move through the world freely as their true selves. This is an entitlement denied to Máni as an orphaned misfit, who spent a year of his childhood in the leprosy hospital, a fact he promised never to share with anyone. The Poole group go on to treat Máni as their subject, discovering his origins and desires as a gay young man living on the periphery of a small, intolerant society. The production is highly self aware, its hilarity and pathos is achieved through the character’s poking fun at the overt homophobia of society through an irreverent musical mashup and self-referential paranoia surrounding Covid. Each scene rolls seamlessly into the next, while offering the audience the joy of an unexpected and clever narrative. 

The production uses lighting, cameras and projection to create a dreamlike impression which consciously engages with the construction of narrative. These evocative techniques directly correlate to the act of storytelling, in particular the stories which are preserved by history and the ones that are subject to erasure. Arguably the centre of the production is the concept of queer identity, the stories of queer individuals that have been erased from the collective consciousness and the damage this inflicts on indidividauls and society. 

The Boy Who Never Was is at times surreal and fantastical, which the audience gathers is a reflection on Sjón’s novel, and it is clear that Cannon and Keegan were intent on portraying this tone in their adaptation. In the post show theatre talk they refer to Sjón’s advice to young writers to follow what interested and excited them in childhood,it is evident that the production was created with this idea in mind. The performance is full of imagination, playfulness and camp interactions between the characters, despite the underlying brevity of the subject matter. 


Funded by The Arts Council | An Chomhairle Ealaíon , The Ireland Funds and Culture Ireland.

View the Dublin Theatre Festival 2022 Programme now.

Dublin Theatre Festival is principally funded by the Arts Council. They have a rich history, with much to celebrate, but what we are most excited about is what is yet to come. In the future, we want to see more people participating in culture and more artists creating bold new work that challenges and inspires.

Twitter: @DubTheatreFest | Facebook:@DublinTheatreFestival | Instagram: @dublintheatrefestival




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An Evening of Existential Quandary: “The Realistic Joneses” by Will Eno

An Evening of Existential Quandary: “The Realistic Joneses” by Will Eno

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“The Realistic Joneses,” a play by Will Eno, is currently running at the Smock Alley Theatre as part of this year’s Dublin Theatre Festival and is produced by Gare St Lazare Ireland in association with Rubicon Theatre Company and Laguna Playhouse.

The play appeared on Broadway in 2014 where it won a Drama Desk Award and was named USA Today’s “best play on Broadway.” Gare St Lazare Ireland is no stranger to Eno’s work, as they collaborated previously on “Title and Deed” which was awarded The Stage Award for Acting Excellence at the Edinburgh Fringe. 

“The Realistic Joneses,” introduces us to two couples, both called Jones, who at first appear to have little in common apart from their shared name and the proximity of their homes. The ordinary, small town setting acts as the backdrop for the exploration of big existential questions. The surface level everyday-ness of the play allows for the contemplation of, and coming to terms with ideas of mortality and intimacy, specifically how these are played out in our closest relationships. 

The performance uses black humour and witty dialogue to scrutinise the more serious topics of illness, ageing and the inevitability of death. The use of realistic half formed sentences and the illogical verbal dance between two married couples provides an authentic tone to the play. This authenticity is juxtaposed against the ridiculousness of language and the arbitrary meaning we apply to words which creates a tension between what we understand of language and speech on a superficial level, and the subtext hidden in seemingly straightforward conversations. 

The whole play centres around the failure of understanding. Foremost, the character’s failure to express what they really want to say or feel; there are many moments when a direct request for clarification is passed over as we realise the characters themselves don’t understand what they are trying to express. This failure of communication is mirrored in the Joneses’ (and our) failure to fully comprehend the fragility of life and the inevitability of non-existence or death. Each of the characters deal with – or don’t deal with – this fearful thought in a variety of ways, and the conclusion the audience can take from this is that there is no wrong way to deal with these concepts as each coping mechanism is part of the human experience and is what adds texture to the fabric of our daily existence. 

The play culminates in a striking line, spoken in a moment of clarity; “I don’t think anything good is going to happen to us. But what can you do.” The audience’s parting impression is a reminder of the futility and randomness of the human experience, and our instinct to apply logic and narrative structure to otherwise illogical life events. “The Realistic Joneses,” at first glance, seems to be a play about two married couples, but when the house lights come up the audience is left pondering life’s bigger questions and how humans behave when confronted with them.


“The Realistic Joneses” is at the Smock Alley Theatre until 16th October 2022 as part of the Dublin Theatre Festival. You can book your tickets here: https://dublintheatrefestival.ie/programme/event/the-realistic-joneses

For ages 16+

_

Funded by The Arts Council | An Chomhairle Ealaíon , The Ireland Funds and Culture Ireland.

View the Dublin Theatre Festival 2022 Programme now.

Dublin Theatre Festival is principally funded by the Arts Council. They have a rich history, with much to celebrate, but what we are most excited about is what is yet to come. In the future, we want to see more people participating in culture and more artists creating bold new work that challenges and inspires.

Twitter: @DubTheatreFest | Facebook:@DublinTheatreFestival | Instagram: @dublintheatrefestival




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BOREALIS: the Northern Lights is coming to Dublin this Halloween!

BOREALIS: the Northern Lights is coming to Dublin this Halloween!

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BOOK NOW: Ticketbooth (ticketsolve.com)

 

This Halloween, as part of this year’s Bram Stoker Festival, the Northern Lights will be visible over Dublin city!

During Ireland’s October Bank Holiday weekend, from Friday, 28th of October to Monday, 31st of October 2022, at the Upper Courtyard of Dublin Castle will be transformed into a mesmerising spectacle of an aurora borealis by Swiss-artist, Dan Acher.

 

BOREALIS will be a captivating installation of sound and light experience that has previously dazzled thousands of people worldwide. There will also be a “tranquil soundtrack” that promises to include a combination of art and technology.  Every night of the festival (from 6:30pm to 10:30pm), this event will be free, ticketed event to the Dublin.

According to their website:

“Borealis has been enjoyed by hundreds of thousands of people worldwide; from London to Tokyo, Paris to Adelaide, people have gathered to experience this truly magical event. Our fascination with the Northern and Southern Lights is not new; for our ancestors, they inspired awe and astonishment.  By recreating their majesty an urban environment, BOREALIS brings city-dwellers together for an other-worldly experience under one strange and beautiful sky.”

So, why not make this year’s spooky season memorable and let BOREALIS enthrall you.

 

 

Age Suitability: All ages (Under 18s must be accompanied by a parent / guardian)

Duration: 31 minutes.

Please Note: This is an outdoor event. Please dress appropriately. We advise wearing flat shoes as the courtyard is partially cobbled.

Accessibility: The venue is wheelchair accessible. Please note that the courtyard has cobblestones. There are no toilet facilities available.

Dublin Castle on Google Maps: Click here for map link to Dublin Castle entrance. 

 

BOOK NOW: Ticketbooth (ticketsolve.com)

 

BOREALIS is kindly supported by The Office of Public Works which manages Dublin Castle.




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What to expect at Dublin Theatre Festival 2022

What to expect at Dublin Theatre Festival 2022

Image: Jean Philipse, Short of Lying. Dublin Theatre Festival | Sept 29-Oct 16, 2022
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After two years of disruption, Dublin Theatre Festival returns with a bang with a forecast of full capacity and international presence! From Thursday, 29th of September until Sunday, 16th of October 2022, the festival will continue to contribute to Ireland’s capital thriving social and culture life by presenting an exceptional lineup of brilliant theatrical performance that will resonate with its diverse community and visitors to the city. The festival supports artists and provides a platform for Irish-based and international artists, companies and emerging theatre-makers to showcase the most outstanding works of Irish theatre to audiences worldwide.

There’s a wide variety of events for adults and children from theatre, music, dance and family events. The festival are also highly committed in the development of artists and their work; therefore, there are artist talks, public discussions, and artist development programmes which are in place to encourage and celebrate emerging and established artists based in Ireland and internationally. These will be across many venues across Dublin.

So, what do we have our eyes on? Here is our top picks for Dublin Theatre Festival:

As Ireland begins its downward spiral into the recession of the late 00s, a family return home from abroad to a half-finished estate in the midlands. They are hoping to find a welcoming community, but when mum Helen goes missing on a hot summer’s day, their dream turns into a nightmare. While the recession bites, debts mount and disturbing unexplained events plague their deserted housing estate, the family sense a growing horror at the heart of their home. Nothing on Earth charts one family’s struggle to find a sense of belonging. More Info…

In every window a world shimmers. From a busy street, you are invited to make an intimate connection. A new live piece between film, installation and theatre, WINDOW A WORLD asks what happens when we listen and look in.

Choy-Ping Clarke-Ng 吳彩萍 is a Hong Kong-Irish theatre maker and designer of set, costume and video. They are a graduate of Bristol Old Vic Theatre School and were awarded the Linbury Prize for Stage Design. Previous work includes WHERE ARE YOU FROM? (Abbey Theatre) and WANDER WANDER WILD WILD 遊遊野野, as part of Rough Magic’s Rough Weekend (Project Arts Centre). Choy-Ping is a recipient of the Arts Council Next Generation Award 2022. More Info…

From Ireland in the 1970s to the present day, How to be a Dancer in Seventy-Two Thousand Easy Lessons blurs the boundaries between what is lived and what is imagined, between history and destiny, between fact and fiction. This is a powerful coming of age work which is both playful and provocative. Michael Keegan-Dolan performs onstage for the first time in over twenty years, alongside his collaborator Rachel Poirier. More Info…

Splashing in puddles, wind whipping your hair, crunching frost under your feet, and rain dripping on your nose, now that’s a grand soft day. A playful show about always being prepared even though you do not know what the day will bring. More Info…

All at once fast paced and thought-provoking, Lost Lear lands us into the world of Joy, a woman with dementia, who is being cared for through a method where people live inside an old memory. More Info…

Adapted from the award-winning Icelandic novel by Sjón, Brokentalkers bring their contemporary theatrical approach to this beautifully evocative period work. Set in 1918, The Boy Who Never Was tells the story of a young queer man, Máni Steinn — film fanatic and dreamer who exists on the fringes of an intolerant society — at a moment of profound global transformation. More Info…

Meet Bob and Jennifer and their new neighbours, John and Pony, two suburban couples who have even more in common than their identical homes and shared last name. As their relationships begin to irrevocably intertwine, the Joneses must decide between their idyllic fantasies and their imperfect realities. More Info…

Short of Lying is a narrative performance about deceit. More specifically, the piece deals with the power of stories to interpret and manipulate reality and shows us how narrative thinking has been appropriated by the communication media. More Info…

Photographer: Fionn Mccann | Image Source: The Cold Sings | Dublin Theatre Festival | Sept 29-Oct 16, 2022




Animal Farm tells the story of a group of animals who rebel against their owner in the hope of creating a better society —where they work less and live more. In this energetic and irreverent interpretation, Louise White explores the spectrum of morality, injustice and the human condition. Taking influences from philosophy, sociology, live art and pop culture, this performance asks; what happens when we obey without asking questions? More Info…

The Cold Sings explores themes of female identity and mental health, drawing from Sylvia Plath’s The Bell Jar, her poetry and personal letters. The work captures our struggle with the inner self, our private strengths and societal entrapment through Plath’s personal mythology. More Info…

View the Dublin Theatre Festival 2022 Programme now.

Dublin Theatre Festival is principally funded by the Arts Council. They have a rich history, with much to celebrate, but what we are most excited about is what is yet to come. In the future, we want to see more people participating in culture and more artists creating bold new work that challenges and inspires.

Twitter: @DubTheatreFest | Facebook:@DublinTheatreFestival | Instagram: @dublintheatrefestival




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